
Fleur Irene Insot
BIOGRAPHY
Fleur Irene Insot (Thai: เฟลอ ไอรีน อินสด) is a Thai screenwriter whose credits run across GMMTV’s Boys’ Love and Girls’ Love output. She writes inside a standing team, most often with Eng Issaraporn Kuntisuk and Yui Kanokphan Ornrattanasakul.
Fleur’s notable screenwriting credits include The Heart Killers (2024-2025), Petrichor (2024), Dead Friend Forever (2023), Pit Babe (2023), and This Love Doesn’t Have Long Beans (2024). Her work spans both BL and GL genres.
Writers in this industry are not public figures in the way the cast is, and very little has been published about her outside the credits themselves. The work sits on the page rather than in interviews.
BLGLFlix editorial view
Screenwriters do not get fandoms. Look at what this one has actually written and that starts to seem like an oversight.
Fleur Irene Insot’s credits run through Dead Friend Forever, Pit Babe, The Heart Killers, This Love Doesn’t Have Long Beans, the GL series Petrichor, and Love of Silom. Audiences treat those as unconnected shows from different corners of the genre. They share a writer.
She works inside a recurring team with Eng Issaraporn Kuntisuk and Yui Kanokphan Ornrattanasakul, which is how Thai studios actually produce at this volume. A room, not an author. That structure makes individual attribution genuinely hard, and it is the reason a page like this carries a credit list and very little else.
The GL credit is the one worth marking. Writers who move between BL and GL are rare, mostly because the commissions are so lopsided. Someone credited on both is one of the few people with a working view of how differently the two are financed and scheduled.
PROFILE DETAILS
- Native Name
- เฟลอ ไอรีน อินสด
- Real Name
- Irene Insot
- Nickname
- Fleur, เฟลอ, เฟลอร์
- Pronouns
- she/her
- Birthplace
- Thailand
- Current Residence
- Bangkok, Thailand
- Gender
- Female
- Profession
- Nationality
- Agency / Label
- GMMTV (current)
- Years Active
- present
- Languages
- Thai (native)
- Skills
- Screenwriting, Story Development, Dialogue Writing, Character Development





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