Rabob Pokanngaen

Rabob Pokanngaen (Thai: ระบบ โปขันเงิน) is a Thai producer working at GMMTV. He is credited as co-producer or producer on Thai productions for the studio.

Rabob’s producer credits include The Heart Killers (2024-2025), My Magic Prophecy, 23.5, The Ex-Morning, My Golden Blood, Memoir of Rati, and Melody of Secrets.

The Heart Killers ran for twelve episodes on GMM 25 from 20 November 2024 to 12 February 2025, with streaming on iQIYI, GagaOOLala and the GMMTV YouTube channel. The story follows a tattooist who works undercover for the police and is sent to look into two assassin brothers who run a hamburger shop. First Kanaphan, Khaotung Thanawat, Joong Archen and Dunk Natachai lead the cast.

Among his later producer credits, My Magic Prophecy arrived in 2025 as a ten episode GMMTV series. It follows Dr. Thapfah, an intensive care doctor who does not believe in horoscopes or destiny, and Inthu, a tarot reader who is his younger sister’s best friend and warns him of a coming run of misfortune. Placed side by side, the two series show a producer handling a crime story and a fortune telling story inside the same studio.

If I were pointing a friend to this producer’s work, two series that sit far apart in mood make a good pair. The Heart Killers follows an undercover tattooist whose assignment centres on two brothers and their hamburger shop, and it runs twelve episodes. My Magic Prophecy is shorter at ten episodes and turns on one question, whether a doctor who rejects horoscopes can keep ignoring a tarot reader’s warning. I would watch the crime story first and the fortune telling story second, because going from the heavier premise to the lighter one makes the change in tone easy to see.

The first thing I notice about the 2024 stretch is how many different titles carry his name in a single year. Pluto, Wandee Goodday, 23.5 and The Heart Killers all belong to it, and together they make a good sampler for anyone who wants to see how his name travels across the studio’s slate. I would watch the first episode of each and keep going with whichever one holds my attention.

Knowing that The Heart Killers draws on Shakespeare’s The Taming of the Shrew changes how I approach it, and I go in looking for that borrowed idea in the way the central pairing is set up.