The Boy and I Who Will Break Up in 100 Days novel by Asahara Naoto (KADOKAWA) — source of the 2026 Japanese BL drama

The Boy and I Who Will Break Up in 100 Days (Novel)

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What happens

The Boy and I Who Will Break Up in 100 Days (Japanese: 100日後に別れる僕と彼, Hyakunichigo ni Wakareru Boku to Kare) is a Japanese literary boys' love novel published by KADOKAWA in 2023, closer to thoughtful queer fiction than to conventional romance, and the source of the 2026 MBS television drama of the same name. Yuma Kasuga and Itsuki Hasegawa are a same-sex couple who go viral without meaning to, after an interview about a partnership oath system for sexual minorities charms the internet. On the strength of that attention a production company invites them to be the subject of a documentary chronicling one hundred days of their life together, and Yuma, who genuinely wants to broaden public understanding of gay relationships, says yes.

There is one problem: by the time the cameras are ready, the two of them have already fallen apart. Yuma persuades Itsuki to keep up appearances, and they agree to perform the role of a happy couple for the lens. The documentary's director, Shiho Kayano, knows nothing of this and sets out with real conviction to capture them exactly as they are. What follows is a study of love performed against love felt. Yuma pushes himself to be the perfect partner; Itsuki suffocates under the weight of that expectation; and across one hundred days the distance between the story being filmed and the feelings neither man can quite bury grows harder to hold. The title tells you where the countdown is headed, but the novel is less interested in the breakup itself than in everything tangled up in it: the people who film love, the people who fake it, and the people who cannot let it go.

Beyond the central romance, the book looks directly at what LGBTQ+ people navigate, from everyday microaggressions to the quiet distance between the acceptance a majority offers and the equality a minority is asking for. Its structure mirrors its premise, unfolding day by day across the hundred-day shoot before closing on a handful of tender, melancholy short pieces. It was written by Asahara Naoto, who debuted in 2018 and was known for the work that became the drama Fujoshi, Ukkari Gay ni Koku., and it was his final published book. KADOKAWA issued it as a 272-page hardcover on 19 May 2023 and reissued it as a 320-page Kadokawa Bunko paperback on 25 May 2026, timed to the drama's premiere.

CONTENT DETAILS

Native Title
100日後に別れる僕と彼
Original Title
The Boy and I Who Will Break Up in 100 Days
Also Known As
100日後に別れる僕と彼, Hyakunichigo ni Wakareru Boku to Kare
Adaptation
This 2023 novel by the Japanese author Asahara Naoto (浅原ナオト), published by KADOKAWA, is the original source for the 2026 MBS drama of the same name. No official English translation currently exists.
Themes
Key Themes
Fake RelationshipBreakupLGBTQ+ VisibilityPublic vs PrivateHonestyIdealized LoveDocumentaryGriefAcceptance vs Equality
Country
Language
Japanese
Original Author
Naoto Asahara
Volumes
1
Publisher
KADOKAWA
Release Year
Content Rating
PG-13

Where to read The Boy and I Who Will Break Up in 100 Days (Novel)

Read or buy (KADOKAWA official hardcover, Japanese)Read or buy (KADOKAWA official Kadokawa Bunko paperback, Japanese)Buy on Amazon Japan (Kadokawa Bunko paperback)

Before You Read

  • Source novel: The Boy and I Who Will Break Up in 100 Days (100日後に別れる僕と彼) is a 2023 Japanese literary BL novel by Asahara Naoto, published by KADOKAWA.
  • The adaptation: It is the source for the 2026 MBS television drama of the same name, starring Kentaro Ito and Kanichiro.
  • Premise: A gay couple who have secretly broken up agree to film a 100-day documentary while pretending to still be in love for an unsuspecting director.
  • Tone: A thoughtful, bittersweet story about performed love versus real feeling, told day by day across the shoot.
  • Themes: LGBTQ+ life in Japan, including everyday microaggressions and the gap between acceptance and equality.
  • The author: Asahara Naoto debuted in 2018, and this was his final published work.
  • Publication history: First published as a 272-page KADOKAWA hardcover on May 19, 2023, then reissued as a 320-page Kadokawa Bunko paperback on May 25, 2026 to coincide with the drama’s premiere.
  • Availability: The novel is available in Japanese in print and as an e-book; no official English translation currently exists.
  • Other work: Asahara was also known for the novel that became the drama Fujoshi, Ukkari Gay ni Koku.
  • Structure: The novel unfolds day by day across the hundred-day shoot before closing on a handful of tender, melancholy short pieces.

Reviewed by Renkaze

An orientation note rather than a scored review.

Asahara Naoto published this novel in 2023, and it was his final book. It sits closer to literary fiction about being gay in Japan than to the romance shelf its premise suggests.

The device is simple. The two men have already broken up when the documentary crew arrives, and the hundred days are spent performing the relationship the country has decided they represent. The book is interested in what it costs to be somebody's example, and in the distance between being accepted and being equal, which it names directly instead of leaving as subtext.

How it is built

The structure follows the premise. The novel moves day by day through the hundred-day shoot, so the countdown in the title is also the book's own clock, and it closes on a handful of short, tender pieces that step outside the main frame. A camera runs through most of the story, yet the reader never sees a frame of what it records, which puts the reader in the one position nobody inside the story holds: behind the performance rather than in front of it. Shiho Kayano, the documentary director, films the outside of a relationship while the reader is given the inside.

That imbalance carries the book's ethics. Yuma agrees to the film because he believes visibility can do good, and the novel takes that motive seriously while showing what it asks of the person who has to live up to it.

What to expect: a 272-page KADOKAWA release, a day-by-day structure, and an ending that is bittersweet rather than romantic.

Read it if the 2026 MBS drama left you wanting the interior version of the same hundred days, or if you enjoy quiet, observant fiction about public image and private truth. No official English translation exists, so it is currently a route for readers of Japanese.

The novel is a single 2023 volume with one screen version so far.

KADOKAWA issued the book as a single hardcover on 19 May 2023 and as a Kadokawa Bunko paperback on 25 May 2026. No official English translation exists, so the original runs through the Japanese text.

The 2026 drama, The Boy and I Who Will Break Up in 100 Days, condenses the book's hundred-day frame into six weekly episodes of 24 minutes. A hundred days of narrated time becomes 144 minutes of screen time, spread over 35 days of broadcast. A novel can spend a page on a single day, while a weekly episode carries several at once.

FREQUENTLY ASKED QUESTIONS

When was it published?

KADOKAWA issued the hardcover on 19 May 2023 and the Kadokawa Bunko paperback on 25 May 2026, timed to the drama's premiere.

Who wrote it?

Asahara Naoto, who debuted in 2018 and was also known for the novel that became the drama Fujoshi, Ukkari Gay ni Koku. This was his final published book.

Is there an authorised English edition?

None currently exists. No official English translation has been made, so the book is available in Japanese only despite the 2026 drama's international release.

In what formats can it be bought?

KADOKAWA sells the hardcover and the Kadokawa Bunko paperback, and the paperback is also on Amazon Japan. The hardcover came first, with the bunko edition following as a later reissue.

How does it relate to the television version?

It is the source. The 2026 MBS drama of the same name adapts this book and is covered separately as The Boy and I Who Will Break Up in 100 Days, with its own cast, music and broadcast details.

How long is it?

A single volume: a 272-page hardcover from KADOKAWA in 2023, reissued as a 320-page paperback in 2026.

Where a title can be read, and who is credited on it, may have changed since publication, as our disclaimer explains.

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