Vertical poster for the 2020 Filipino boys' love web series Like in the Movies (Gaya sa Pelikula)

Like in the Movies

CompletedWeb Series🇵🇭

SYNOPSIS

Gaya sa Pelikula, released internationally as Like in the Movies, is an eight-episode Philippine boys' love web series produced by Globe Studios and directed by Jaime 'JP' Habac Jr. Episodes went up weekly on YouTube between 25 September and 20 November 2020, running between twenty-one and thirty-six minutes each, with dialogue moving freely between Filipino and English. Netflix added the series across Southeast Asia, Hong Kong and Taiwan on 7 January 2021.

Karl Frederick Almasen, known as Archi, is an architecture student living alone in a flat his family pays for on the understanding that he lives alone. When freelance work dries up and the rent becomes a problem, he lets the room next door to Vlad Austria, a neighbour who is louder, blunter and considerably less concerned with what other people think. The arrangement is a fiction from the start: Vlad is introduced to Karl's parents as a cousin, then as a girlfriend's stand-in, and the lie keeps having to be extended. Adelaida and Mario Almasen visit more often than their son would like and ask questions he has no prepared answer for, Judit Austria watches her younger brother make decisions she cannot protect him from, and the neighbour Anna sees more than she says. What begins as an economic arrangement between two badly matched flatmates becomes something both of them have to decide whether to defend.

The series is unusual in its origins. It is presented as a prequel to a set of Wattpad teleplays of the same name that were never produced, so the version that reached screens is the earlier chapter of a story whose later chapters exist only as text. The run was structured as a straightforward weekly release with no paywall, and the Netflix pickup three months later brought it to viewers who had not followed the YouTube uploads as they went up.

CONTENT DETAILS

Native Title
Gaya sa Pelikula
Original Title
Like in the Movies
Also Known As
Gaya sa Pelikula
Adaptation
Presented as a prequel to a set of Wattpad teleplays of the same name that were never produced. There is no completed novel or comic behind the series.
Themes
Key Themes
Flatmates By NecessityCinema As A MeasureCode-Switching DialogueParental DisapprovalArchitecture StudentFinancial PrecarityComing Out To FamilyWattpad PrequelNeighbourhood SettingQuiet DomesticityFilipino Boys LoveWeekly YouTube Release
Language
Filipino, English
Seasons
1
Episodes
8
Duration
21-36 min
Aired Start
Aired End
Release Year

WATCH ON

YouTube

KEY TAKEAWAYS

  • Release: Eight weekly episodes on YouTube between 25 September and 20 November 2020, with runtimes of twenty-one to thirty-six minutes.
  • Studio: Produced by Globe Studios and directed by Jaime ‘JP’ Habac Jr.
  • Leads: Ian Pangilinan plays Vlad Austria and Paolo Pangilinan plays Karl Frederick Almasen, the architecture student who takes him in as a flatmate.
  • Family roles: Adrienne Vergara appears as Vlad’s sister Judit, with Che Ramos and Chrome Cosio as Karl’s parents Adelaida and Mario.
  • Origin: Presented as a prequel to unproduced Wattpad teleplays of the same name rather than an adaptation of a completed novel.
  • Wider release: Netflix added the series in Southeast Asia, Hong Kong and Taiwan on 7 January 2021.
  • Language: The script moves between Filipino and English, with characters switching according to who they are speaking to.
  • Disputed year: PEP.ph dates the series to 2022 while Wikipedia gives a full 2020 schedule; this record follows the 2020 dating and records the conflict rather than hiding it.
  • Complete: The eight episodes tell a closed story, with no sequel series or feature film following it.
  • Setting: The action is confined almost entirely to two neighbouring flats, a constraint the direction uses deliberately rather than works around.

EDITOR’S VERDICT

8.5/10

Reviewed by Renkaze, editor of BL & GL Flix

Among the titles that came out of the Philippine boys' love surge of 2020, this is the one with the most confident script, and the difference is visible within the first episode.

The writing

The dialogue is the main event. Conversations start in the middle, people talk over each other, and arguments are lost by the person who is technically correct. The code-switching between Filipino and English is not decoration; characters move between the two languages depending on who they are performing for, which does more characterisation than any monologue would.

The series also resists the temptation to make the parents into villains. Adelaida and Mario Almasen are frightened rather than cruel, and Che Ramos and Chrome Cosio play them as people who love a son they have decided not to know. That choice costs the show an easy antagonist and earns it a much harder final act.

The performances

Ian Pangilinan plays Vlad with a directness that could easily have tipped into caricature and does not. Paolo Pangilinan has the more difficult job, since Karl spends most of the run withholding, and he is occasionally overmatched by it: a few scenes that should register as suppression read instead as blankness. Adrienne Vergara is excellent in limited screen time.

Where it is uneven

Eight episodes at these lengths leave the middle stretch baggy. Episodes four and five circle the same impasse without advancing it, and a subplot involving Karl's uncle is introduced with more weight than the series eventually gives it. The production is modest — a handful of interiors, mostly natural light — and while the restraint suits the material, viewers arriving from higher-budget Thai or Korean BL will notice the scale immediately.

The setting

Almost everything happens in two adjacent flats and the corridor between them, and the production makes that confinement work rather than apologising for it. Doors, thresholds and the question of who is allowed through them carry a good deal of the meaning, and the camera tends to hold still and let a conversation run rather than cutting for emphasis. It is an unshowy piece of direction that trusts the actors more than most series at this budget would dare.

Verdict

A small, articulate series that is more interested in how people talk themselves out of things than in how they fall into them. It is not the most eventful title in this catalogue and it is among the best-written. The last two episodes justify the slower middle.

Final Score: 8.5/10

What Like in the Movies is about

The title is doing more work than a translation reveals. Gaya sa Pelikula means "like in the movies", and it names the standard against which the two men keep measuring their own lives: the tidy declaration, the gesture that resolves everything, the ending that arrives on cue. Karl in particular has absorbed the grammar of romantic cinema and finds that it does not transfer. There is no soundtrack swelling to tell him when to speak, and the people who need convincing are his parents rather than an audience.

That gap between the cinematic version and the lived one is also a structural argument about representation. A generation of Filipino viewers grew up with queer characters who existed to be laughed at or to die, and the series is explicit that the movies its characters have seen were not made for them. Asking whether life can be like the movies is only poignant if the movies contain you.

The flat itself carries the theme. It is a space Karl has been given on the condition that it stay empty of anyone else, which makes every domestic act in it — cooking, sharing a desk, closing a door — a small breach of terms. Architecture is his subject, and the series keeps putting him inside a structure whose rules he did not write and cannot yet redraw.

OFFICIAL TRAILER

EPISODE SCHEDULE

8 / 8 episodes aired · Completed
EP 1
25 Sep 2020
Aired
EP 2
02 Oct 2020
Aired
EP 3
09 Oct 2020
Aired
EP 4
16 Oct 2020
Aired
EP 5
23 Oct 2020
Aired
EP 6
30 Oct 2020
Aired
EP 7
06 Nov 2020
Aired
EP 8
20 Nov 2020
Aired

FREQUENTLY ASKED QUESTIONS

Why do some sources date this 2022?

Because they disagree. The PEP.ph overview of the Pinoy BL wave lists the series under 2022, while Wikipedia gives a detailed weekly schedule running from 25 September to 20 November 2020. This record follows the 2020 dating, since the episode-by-episode air dates are the more specific evidence, but the disagreement is real and worth knowing about.

What does the Filipino title mean?

Gaya sa Pelikula translates as "like in the movies". It is the phrase the characters keep measuring themselves against, and the English release title is a direct rendering of it.

Is it connected to a Wattpad story?

Yes, though not in the usual direction. The series is presented as a prequel to Wattpad teleplays of the same name that were never produced, so the screen version precedes material that exists only as writing.

How long is it and where can it be watched?

Eight episodes of twenty-one to thirty-six minutes. The original run is free on YouTube, and Netflix carried it in Southeast Asia, Hong Kong and Taiwan from 7 January 2021.

Who are the leads?

Ian Pangilinan as Vlad Austria and Paolo Pangilinan as Karl Frederick Almasen. Despite the shared surname the two actors are not related, and the series is often discussed by the pairing rather than the title.

Is the story finished?

Yes. The eight episodes form a complete arc and no continuation has followed, which distinguishes it from several of its contemporaries that spawned films or second seasons.

How does it compare with the other 2020 Philippine titles here?

It is the least improvised of them. Where Gameboys turned lockdown restrictions into a formal device, this one was shot conventionally in a small number of interiors and puts its weight on the script instead.

Credits and availability in this entry reflect published sources, including one that dates the series differently; details may have changed since. The single poster image is included for identification, as set out in our disclaimer.

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