HIStory3: Make Our Days Count poster

HIStory3: Make Our Days Count

CompletedTV Series🇹🇼

SYNOPSIS

Loud, hot-tempered and coasting, Xiang Hao Ting (Wayne Song) is in his final year of high school and throwing his weight around with his friends. Yu Xi Gu (Huang Chun-chih) is the quiet transfer student who works several part-time jobs and keeps himself to himself, and after a first encounter that goes badly Hao Ting starts following him about. The tutoring arrangement that comes out of it, Xi Gu steering him through the college entrance examinations, becomes the ground everything else is built on. Alongside them Sun Bo Xiang (Wilson Liu) develops feelings for Lu Zhi Gang (Thomas Chang), an older dessert shop owner, and that age gap raises its own questions about responsibility, self-restraint and the distance between wanting someone and being ready for them.

Time is the unit's steady subject, and how little of it these characters believe they control. Study sessions, exam preparation and the question of what comes after graduation give the couple a reason to count their days, and the story keeps circling a promise attached to an eighteenth birthday, which LINE TV's chapter titles name outright. Household circumstance decides what each boy is able to ask for, one family stretched by illness and money, the other comparatively settled, and that disparity does the work an external villain usually does in this genre. Director Tsai Mi-chieh called it a deliberately small story, built on love and collision rather than any grand narrative, centred on a single ordinary day.

Make Our Days Count is the second and closing unit of HIStory3, running on the same LINE TV banner as Trapped and sharing no characters, cast or director with it. Tsai, who comes from a directing family, was offered both the producing and the directing role and chose to direct; coming off the more stylised HIStory2 unit 越界, she aimed this one at realism and stripped out dated school-drama devices such as love letters so it would sit convincingly in 2018 and 2019. The cast was assembled almost entirely from inexperienced performers, and Huang Chun-chih and Wayne Song were already classmates at National Taiwan University of Arts before being cast opposite each other. A shoot planned for 60 days ran past 80. Twenty episodes went out in pairs every Wednesday from 16 October to 18 December 2019, each pair sharing a chapter title, and Wilson Liu was later put forward for Best Newcomer at the 55th Golden Bell Awards.

CONTENT DETAILS

Native Title
HIStory3-那一天
Original Title
HIStory3: Make Our Days Count
Also Known As
HIStory3-那一天, HIStory3: Make Our Days Count
Themes
Key Themes
RomanceYouthSchoolDrama
Country
Language
Mandarin
Seasons
1
Episodes
20
Duration
26 min
Aired Start
Aired End
Release Year
Content Rating
輔導十二歲級 (Parental Guidance 12)

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WATCH ON

Rakuten Viki

KEY TAKEAWAYS

  • 20 episodes of about 26 minutes each, carried by LINE TV from 2019-10-16 to 2019-12-18.
  • Directed by Tsai Mi Chieh, written by Shao Hui Ting (邵慧婷).
  • An original screenplay.
  • Produced by Choco Media.
  • Led by Wayne Song as Xiang Hao Ting, Huang Chun Chih as Yu Xi Gu, Wilson Liu as Sun Bo Xiang, Thomas Chang as Lu Zhi Gang.

EDITOR’S VERDICT

6.9/10

Reviewed by Renkaze, editor of BL & GL Flix

Tsai Mi-chieh described this as a deliberately small story, built on love and collision rather than any grand narrative and centred on a single ordinary day. The description works as a warning as much as a summary. Following Trapped, which spent its money on gunfire, the closing unit of HIStory3 spends twenty instalments on homework, part-time shifts and a birthday. That is a defensible choice, and it is a narrow one.

The realism is a real decision

Tsai arrived from the far more stylised HIStory2 unit 越界 and stripped out the furniture of school drama she considered dated, love letters among it, so the material would sit convincingly in the years it was actually made. The effort shows. Tutoring is the most persuasive device in the unit because it gives two boys a legitimate reason to be in the same room night after night, and the entrance-examination calendar supplies a deadline that a high-school romance normally has to manufacture. Household circumstance does more work again: one family stretched by illness and money, the other comparatively settled, so what each boy can afford to want follows from his situation rather than from anyone's malice. Very few records in this catalogue let material conditions occupy the antagonist's chair, and it is the best idea here.

Where it is harder to defend

The second strand pairs an older dessert-shop owner with a schoolboy, and framing it as a study in restraint does not dissolve the problem; the plainest description is the record's own, an adult drawn to a high-school student, and a viewer is entitled to know that before starting. The release shape is the other weakness. Twenty episodes issued in pairs, each pair the 上 and 下 halves of one chapter title, means this is really ten episodes cut down the middle, and the cut is audible: the first half of each pair repeatedly stops rather than ends. A cast assembled almost entirely from newcomers, on a shoot planned for sixty days that ran past eighty and needed an expression coach brought in during pre-production, delivers roughly what that sentence predicts. Tsai says the actors improved a great deal over the shoot, which is good for them and uneven for the viewer, since the rawest work sits at the front where the series has to win its audience.

What this rests on

Independent English-language criticism of this unit is thin, and no substantial review of it has been found for this record. Wilson Liu's nomination for Best Newcomer at the 55th Golden Bell Awards in 2020 is the only external recognition listed, and a nomination in a newcomer category is a modest foundation for a verdict. What follows is therefore built from the credits, the release pattern, the chapter structure and the director's own account of her intentions. Read that way it is a sincere, limited piece of work, better at small observation than at the twenty-part frame it was handed.

Final Score: 6.9/10

What HIStory3: Make Our Days Count is about

Make Our Days Count places its romance in the final year of high school, so its steady subject is time and how little of it the characters believe they control. Study sessions, entrance exam preparation and the question of what comes after graduation give the couple a reason to count their days, and the story keeps circling back to promises attached to an eighteenth birthday and to the years beyond it.

Household circumstance shapes what each boy is able to ask for, since one family is stretched by illness and money while the other is comparatively settled. A second strand follows a dessert shop owner and a younger friend, using the age difference to look at responsibility, self restraint and the distance between wanting someone and being ready for them.

Make Our Days Count is the second and closing unit of HIStory3, running on the same LINE TV banner as Trapped but sharing no characters, cast or director with it, which is how the anthology has worked since CHOCO TV launched it on 14 February 2017. Creator Chang Ting-fei told Punchline that each story is fully scripted before shooting and assigned to a single writer, and that season two's model of pairing experienced directors with first-time actors was kept because it produced new sparks against season one's all-novice crews. She also described the platform recruiting writing talent from student populations and mentoring first drafts so the dialogue would track younger speech patterns.

CHOCO TV published click counts for the season two units, 4.25 million for 是非 and 4.56 million for 越界 in 36 days, as evidence that Taiwanese BL could sit alongside imported hits on the platform. LINE TV publishes this unit's chapter titles as ten two-part pairs, each subject split into a 上 and a 下 half.

Best scenes in HIStory3: Make Our Days Count

  • Hsiang Hao-ting, an outgoing student facing the college entrance examinations, begins taking study help from the reserved Yu Hsi-ku, and the tutoring arrangement becomes the basis of their relationship.
  • A parallel storyline follows dessert shop owner Lu Chih-kang, who becomes drawn to a high school student, while Hao-ting's friend Sun Po-hsiang develops feelings for the older Chih-kang.
  • The eighth pair of episodes, released on 4 December 2019, carries the chapter title 18歲的約定, the promise the couple attach to Hao-ting's eighteenth birthday.

Interesting facts about HIStory3: Make Our Days Count

  • Character credits: Wayne Song as Xiang Hao Ting (lead); Huang Chun Chih as Yu Xi Gu (lead); Wilson Liu as Sun Bo Xiang (lead); Thomas Chang as Lu Zhi Gang (lead).
  • The original title is HIStory3-那一天.
  • 2020, Golden Bell Awards (55th), Best Newcomer in a Television Series, Wilson Liu (Liu Wei-chen), Nominated
  • Director Tsai Mi-chieh comes from a directing family, her father being Tsai Yang-ming and her brother Tsai Yueh-hsun.
  • Tsai left home at sixteen for more than five years, working in ramen shops and bars and living in subdivided rooms, and traces her directing instincts to her father's quiet influence and to films like Rain Man that she grew up on.
  • Her earlier HIStory unit 越界 was nominated for Best Miniseries at the Golden Bell Awards.
  • Tsai described the story as a deliberately small one, built on love and collision rather than any grand narrative, centred on a single ordinary day.
  • Every one of the twenty LINE TV chapter titles is half of a pair, so 那一天 appears twice, as episodes 19 and 20.
  • Lead Song Wei-en later turned up in the 2023 BL series Kiseki: Dear to Me, which was also written by HIStory regular Lin Pei-yu.
  • The unit's episode 15 and 16 title, 18歲的約定, names a promise that gives the story its structural hinge.
  • International availability: Streamed in Taiwan on LINE TV. Producer Yeh Yu-cheng described the HIStory line as having been picked up by CTS in Taiwan and by buyers in Japan, Thailand and Hong Kong in earlier seasons, with season three pursuing simultaneous cross-region streaming instead.

How HIStory3: Make Our Days Count was made

The second HIStory3 unit was directed by Ishtar Tsai and written by Shao Hui-ting, with Rex Chang producing for Choco Media. LINE TV released the 20 episodes in pairs every Wednesday between 16 October and 18 December 2019, with instalments running roughly 23 to 33 minutes. The cast paired Wayne Song and Huang Chun-chih as high school students Hsiang Hao-ting and Yu Hsi-ku, alongside Thomas Chang and Wilson Liu in the second storyline.

Each pair of episodes shares a chapter title on LINE TV, running from 青春的衝動 through 18歲的約定 to the closing 那一天. Wilson Liu was subsequently put forward for Best Newcomer in a Television Series at the 55th Golden Bell Awards in 2020.

Direction is credited to Tsai Mi Chieh. The screenplay is credited to Shao Hui Ting (邵慧婷). Opening theme 再活一遍 (Live It Again), performed by Xiao Bing Chih (蕭秉治); the official audio sits on the artist's YouTube topic channel and on Spotify.

The insert song Hey is performed by the band Mixer (麋先生) and was issued as a single credited to the LINE TV series. The LINE TV Taiwan programme pages for HIStory3-那一天 display the classification 輔導十二歲級, the 12 and over tier of the Republic of China television programme rating scheme administered by the National Communications Commission. IMDb lists the individual instalments only as episodes of the umbrella HIStory entry, so no standalone identifier is recorded.

Tsai Mi-chieh was approached for the project by producer Chang Ting-fei and was offered both the producing and directing roles, choosing to direct. Producer Yeh Yu-cheng said the second HIStory3 unit filmed from April through June, directly after Trapped. The shoot was planned for 60 days and ran past 80, and Tsai said the new actors improved a great deal over that stretch.

Coming off the more stylised HIStory2 unit 越界, Tsai aimed this one at greater realism and stripped out dated school-drama devices such as love letters so the material would sit convincingly in 2018 and 2019 high school life. She has said the 2019 setting put distance between her and her own school years, leaving her directing the young cast from something closer to a mother's vantage point. The unit ran 20 episodes from 16 October to 18 December 2019 on LINE TV, written by Shao Hui-ting.

Director Tsai Mi-chieh told Punchline that the unit was built almost entirely from inexperienced young performers, and that lead Huang Chun-chih was picked because he physically matched the character and for his personal qualities. The producer recounted that Huang turned up to a workshop carrying ten sets of hats and glasses to hand round to his classmates, which the team read as the same protectiveness the character has. Huang and co-lead Song Wei-en were already classmates at National Taiwan University of Arts before they were cast opposite each other. Further newcomers Liu Wei-chen, Hsia En and Hsia Te were mostly making their drama debuts, and an expression coach, Huang Di-yang, was brought in during pre-production to work with the inexperienced cast.

Per episode chapter titles as published by the broadcaster: 1: 青春的衝動 (上); 2: 青春的衝動 (下); 3: 後悔 (上); 4: 後悔 (下); 5: 心動 (上); 6: 心動 (下); 7: 忐忑 (上); 8: 忐忑 (下); 9: 真心付出 (上); 10: 真心付出 (下); 11: 情不自禁 (上); 12: 情不自禁 (下); 13: 勇氣 (上); 14: 勇氣 (下); 15: 18歲的約定 (上); 16: 18歲的約定 (下); 17: 迎接未來 (上); 18: 迎接未來 (下); 19: 那一天 (上); 20: 那一天 (下).

OFFICIAL TRAILER

OFFICIAL OST

EPISODE SCHEDULE

20 / 20 episodes aired · Completed
EP 1
16 Oct 2019
Aired
EP 2
16 Oct 2019
Aired
EP 3
23 Oct 2019
Aired
EP 4
23 Oct 2019
Aired
EP 5
30 Oct 2019
Aired
EP 6
30 Oct 2019
Aired
EP 7
06 Nov 2019
Aired
EP 8
06 Nov 2019
Aired
EP 9
13 Nov 2019
Aired
EP 10
13 Nov 2019
Aired
EP 11
20 Nov 2019
Aired
EP 12
20 Nov 2019
Aired
EP 13
27 Nov 2019
Aired
EP 14
27 Nov 2019
Aired
EP 15
04 Dec 2019
Aired
EP 16
04 Dec 2019
Aired
EP 17
11 Dec 2019
Aired
EP 18
11 Dec 2019
Aired
EP 19
18 Dec 2019
Aired
EP 20
18 Dec 2019
Aired

FREQUENTLY ASKED QUESTIONS

What is this unit's steady subject?

Time, and how little of it the characters believe they control. Placing the romance in the final year of high school gives study sessions, exam preparation and the question of what comes after graduation a reason to make the couple count their days.

What promise does the story keep circling back to?

One attached to an eighteenth birthday and to the years beyond it. LINE TV's chapter titles name it directly, with episodes 15 and 16 sharing the title that translates as the promise of eighteen.

How does household circumstance shape the romance?

One family is stretched by illness and money while the other is comparatively settled, and that difference determines what each boy is able to ask for. The disparity does the work an external obstacle usually does in this genre.

What does the second storyline examine?

A dessert shop owner and a younger friend, using the age difference to look at responsibility, self restraint and the distance between wanting someone and being ready for them. It runs alongside the school romance rather than intersecting with it.

How were the twenty episodes released?

In pairs, every Wednesday between 16 October and 18 December 2019 on LINE TV. Each pair shares a chapter title, and instalments run roughly 23 to 33 minutes rather than to a fixed length.

Does this unit connect to Trapped?

No. It is the second and closing unit of HIStory3, running on the same LINE TV banner, but it shares no characters, cast or director with Trapped. That separation is how the anthology has worked since CHOCO TV launched it in February 2017.

How did the anthology pair directors with actors?

Season two's model of pairing experienced directors with first-time actors was kept because it produced new sparks against season one's all-novice crews, according to creator Chang Ting-fei. The platform also recruited writing talent from student populations.

What is the director's background?

Tsai Mi-chieh, also credited as Ishtar Tsai, comes from a directing family: her father is Tsai Yang-ming and her brother Tsai Yueh-hsun. She left home at sixteen for more than five years, working in ramen shops and bars and living in subdivided rooms.

How did the director describe the story?

As a deliberately small one, built on love and collision rather than any grand narrative, centred on a single ordinary day. Her earlier HIStory unit had been nominated for Best Miniseries at the Golden Bell Awards.

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