Cherry Magic The Musical official poster featuring lead actors Ryo Matsuda and Yoshihiko Aramaki - 2025 Nelke Planning Japanese BL stage musical

Cherry Magic The Musical: Thirty Years of Virginity Can Make You a Wizard?! (Musical)

CompletedMusical🇯🇵

What happens

Kiyoshi Adachi (Ryo Matsuda) reaches thirty without ever having been in a relationship and, in keeping with a piece of Japanese folklore the story treats as simple fact, wakes to find he can hear the thoughts of anyone who touches him. What sounds like a gift plays as an ordeal: a packed commuter train becomes a wall of noise, and the polite fictions of office life stop being polite. Then his hand brushes Yuichi Kurosawa (Yoshihiko Aramaki), the capable, effortlessly liked colleague the whole department admires, and the thought Adachi picks up is a full-hearted, years-long love he was never meant to overhear.

The musical turns that premise into a stage engine. Kurosawa's runaway inner monologue is carried by voice lines recorded in advance and played in over the performance, with the cast timing their acting to the playback, while screens around the stage show the pictures Kurosawa makes of Adachi in his head. Adachi's flustered non-answers become physical comedy, and the distance between what is thought and what can actually be said carries the evening. Adachi's obstacle is never doubt about Kurosawa's feelings, which he can hear with embarrassing clarity, but doubt about himself, and he keeps rewriting sincerity as politeness because he cannot picture being wanted. Around the pair the company fills in the office: Masato Tsuge (Shuji Kikuchi), Minato Wataya (Satsuki Nakayama), Yuta Rokkaku (Sho Sakai), Nozomi Fujisaki (Kaho Takada), Mari Kurosawa (Yui Hasegawa) and Asahina (Naoya Gomoto).

Written and directed by Keita Kawajiri, who works as a creator under the name SUGARBOY, the production ran at TOKYO DOME CITY HALL from April 11 to 20, 2025, then at Aiplaza Toyohashi in Aichi from April 25 to 27, with a live stream for audiences who could not travel to either house. Shuji Kikuchi joined the company late, taking over Tsuge after Daichi Saeki withdrew from the originally announced cast. The theme number, "Demo ne.", was produced by agehasprings Party. This is a comedy about adults being shy rather than a farce built on a supernatural gimmick. Adapted from Yuu Toyota's manga, it takes its place alongside the 2020 Japanese drama, the 2022 live-action film, the 2023 Thai remake and the 2024 anime.

CONTENT DETAILS

Native Title
チェリまほ The Musical ~30歳まで童貞だと魔法使いになれるらしい~
Original Title
Cherry Magic The Musical - Thirty Years of Virginity Can Make You a Wizard?!
Also Known As
「チェリまほ The Musical」~30歳まで童貞だと魔法使いになれるらしい~, チェリまほ The Musical, チェリミュ, CheriMaho The Musical, CheriMyu, Cherry Magic The Musical, Cherry Magic Musical, Cherry Magic Stage Musical, Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! The Musical, Cherry Magic 2.5D Stage, Cherrymaho Musical
Adaptation
Stage musical adaptation of the Japanese manga "30歳まで童貞だと魔法使いになれるらしい" (Cherry Magic!) by Yuu Toyota (豊田悠).
Themes
Key Themes
Mind-ReadingOffice RomanceTurning ThirtyStage MusicalSelf-WorthSlow BurnKindnessFirst LoveSupernatural AbilityManga Adaptation2.5D TheatreInsecurityWorkplace Friendship
Country
Language
Japanese
Original Author
Yuu Toyota
Networks
Aired Start
Aired End
Release Year
Content Rating
PG-13
Production Co

Where to listen Cherry Magic The Musical: Thirty Years of Virginity Can Make You a Wizard?! (Musical)

Blu-ray (Official Site)

MAIN CAST & CHARACTERS

SUPPORTING CAST

Before You Watch

  • What it is: the 2025 Japanese stage musical adaptation of Yuu Toyota’s Cherry Magic! manga, produced by Nelke Planning.
  • The leads: Kiyoshi Adachi (Ryo Matsuda) and Yuichi Kurosawa (Yoshihiko Aramaki), with Shuji Kikuchi, Satsuki Nakayama, Sho Sakai and Kaho Takada in the office ensemble.
  • The run: TOKYO DOME CITY HALL in Tokyo from April 11 to 20, 2025, then Aiplaza Toyohashi in Aichi from April 25 to 27, 2025.
  • Behind it: written and directed by Keita Kawajiri of SUGARBOY, with theme song “Demo ne.” produced by agehasprings Party.
  • How the staging solves it: the plot depends on the audience hearing thoughts a character cannot say aloud, and this production handles that with inner voice lines recorded in advance and played in during performance, plus screens around the stage.
  • Home release: a Blu-ray followed on September 10, 2025, carrying the final performance plus rehearsal and backstage footage.

Reviewed by Renkaze

Cherry Magic The Musical (チェリまほ The Musical) is the franchise's stage adaptation, produced by Nelke Planning and written and directed by Keita Kawajiri of SUGARBOY. It ran at TOKYO DOME CITY HALL from April 11 to 20, 2025, then at Aiplaza Toyohashi in Aichi from April 25 to 27, 2025.

Adachi and Kurosawa on Stage

Ryo Matsuda plays Adachi and Yoshihiko Aramaki plays Kurosawa, in a production staged as 2.5D theatre, the Japanese term for stage adaptations of comics and games.

Staging this particular story presents a specific problem: the entire plot depends on the audience hearing thoughts that one character cannot say aloud. The production solves it with recorded audio rather than by hiding it, playing Kurosawa's runaway inner monologue in over the live performance while the cast time their acting to the playback, with screens around the stage carrying the images he forms in his head.

What to Expect

  • 2.5D staging: the manga's visual language translated to live performance.
  • Full supporting ensemble: Tsuge, Wataya, Rokkaku, Fujisaki, and Mari Kurosawa all appear.
  • Original theme song: "Demo ne." produced by agehasprings Party.

The Verdict

A faithful stage reading aimed squarely at existing fans of the franchise and of 2.5D theatre. The Blu-ray released in September 2025 carries the final performance plus rehearsal and backstage footage.

Sixteen days in April 2025 across two venues make up the entire stage run.

The musical is the only version of this story that exists first as a performance rather than a recording. The anime series ran seventy seven days on television, while the stage run was bounded by its calendar in a way the filmed versions never are.

What the format offers in exchange is directness. The source is the manga, whose central device is a character hearing what another cannot say aloud, and theatre has carried spoken thought as a native convention for centuries.

This staging does not leave that device to convention alone. At the production's press conference and public dress rehearsal, inner voice lines recorded in advance were played in over the performance, with the cast matching their acting to the playback and several screens around the stage carrying the pictures Kurosawa forms of Adachi in his head.

The company is sizeable for a story about two desks in an office: eight named roles and a seven-strong ensemble, fifteen performers in all, where the 2020 drama and the 2022 film credit seven. Some of those extra performers serve the stagecraft. A group of angels appears in step with the characters' feelings, which Keita Kawajiri described as an expression available only on a stage.

It suits readers of the manga and viewers of the screen versions who would like to see the premise handled as live spectacle, and anyone curious about 2.5D theatre who already knows the story well enough to enjoy how it is translated.

OFFICIAL TRAILER

FREQUENTLY ASKED QUESTIONS

Who wrote and directed it?

Keita Kawajiri, who works as a creator under the name SUGARBOY, wrote and directed the production.

Who produced it?

Nelke Planning and avex pictures.

Who played Adachi and Kurosawa on stage?

Ryo Matsuda played Kiyoshi Adachi (安達清) and Yoshihiko Aramaki played Yuichi Kurosawa (黒沢優一). Shuji Kikuchi appeared as Masato Tsuge, Satsuki Nakayama as Minato Wataya and Kaho Takada as Nozomi Fujisaki.

How large was the company?

Eight named performers plus a seven-strong ensemble. Music is credited to Futoshi Arai and Jun Miyajima, choreography and staging to EBATO and Hakolog, and set design to Takashi Ishihara.

Where and when was it performed?

At TOKYO DOME CITY HALL and Aiplaza Toyohashi, running from 11 to 27 April 2025, a little over a fortnight of performances.

Can it still be seen?

On Blu-ray, released on 10 September 2025, with the final performance plus rehearsal and backstage footage.

Which version does it adapt?

Yuu Toyota's manga rather than any of the screen versions. Keita Kawajiri both wrote and directed for Nelke Planning and avex pictures, and the production counts as 2.5D theatre, the Japanese term for stage adaptations of comics and games.

How is it rated?

PG-13.

Where a title can be watched, and who is credited on it, may have changed since publication, as our disclaimer explains.

Images only: posters and portraits from TMDB, artist images from Spotify and book cover art from AniList. No factual content is taken from these services. This product uses the TMDB API but is not endorsed or certified by TMDB. Factual data such as dates, credits and names is compiled from the sources recorded for each entry. All reviews, biographies and editorial commentary are written by BL & GL Flix. This product uses the TMDB API but is not endorsed or certified by TMDB. All posters, portraits, cover art, and promotional materials remain the property of their respective copyright holders and are shown solely to identify the works described. BLGLFLIX does not host or distribute any video content. See our DMCA / Copyright Policy.