Yi-Ling Wang — Taiwanese director, Fragrance of the First Flower

Yi-Ling Wang

BIOGRAPHY

Wang Yi-ling (Chinese: 王逸鈴), also credited as Ling Wang, is a Taiwanese director and producer who also works as a writer and editor. She directed the twelve-episode second season of Fragrance of the First Flower (第一次遇見花香的那刻; 2025) and she directs and produces The Lives We Lease (人生只租不賣; 2026; 13 episodes) where she also heads story.

She came up through Taiwanese independent short film and often held several credits on her own work. She directed and edited Towards the Sun (迎向邊疆公路; 2016) and also wrote it, a story about a man living in his truck after losing his home to foreclosure and the Vietnamese woman who joins him. She wrote and directed Midnight Tod (午夜陶德; 2017), a boys’ love short she also edited. She wrote and directed Do Not Go Gentle in Taipei (台北過手無暝無日; 2021) and wrote and directed Fish Pond (幻象人; 2022).

Alongside her own films she worked as assistant director on No Talent No Future (2017), The Cicada (知了; 2017) and Token (代幣; 2021).

Fragrance of the First Flower follows Yi-Ming, a married woman living alone with her son while her husband works out of town. She reconnects at a wedding with Ting-Ting, a woman from her past. The series moves between two timeframes.

Fragrance of the First Flower spends much of its length in the adult lives of its two leads.

Its genre keywords include girls’ love, lesbian relationship, coming of age, time skip and mother-son relationship, a mix that reflects a story about a woman with a child and a life already settled.

Wang has directed in both strands of the category: Fragrance of the First Flower is girls’ love, and the 2017 short Midnight Tod is boys’ love.

The year 2017 stands out in her list for the number of credits it holds. She directed and edited Midnight Tod and also wrote it, and she worked as assistant director on both No Talent No Future and The Cicada, which makes three credits inside twelve months. The scale of her own projects changes in the years after, from short films such as Towards the Sun in 2016 to a twelve episode season in 2025 and a thirteen episode series in 2026, where her three roles of director, producer and head of story sit on one title.

PROFILE DETAILS

Native Name
王逸鈴
Pronouns
she/her
Gender
Female
Nationality
Debut
2016 · Towards the Sun (迎向邊疆公路, 2016) as director, writer and editor
Years Active
2016-present
Skills
Film directing, series directing, screenwriting, film editing, producing, story development

FUN FACTS

Towards the Sun is the short film that opens her list, from 2016. A man who lost his home to foreclosure lives in his truck, and a Vietnamese woman joins him there. She directed, wrote and edited it.

Midnight Tod, from 2017, is a boys’ love short, and she directed, wrote and edited it as well. The Chinese title is 午夜陶德.

Fish Pond (幻象人) came out in 2022, and she wrote and directed it. Leong Siew-hong is the writer credited beside her on Do Not Go Gentle in Taipei, a 2021 film that she directed.

Fragrance of the First Flower carries these labels: girls’ love, lesbian relationship, coming of age, time skip and mother and son relationship. The story begins at a wedding, where Yi-Ming, who is married and raising a son, meets Ting-Ting again.

The Lives We Lease (人生只租不賣) has thirteen episodes and is dated 2026. She holds three jobs on it at once, director, producer and head of story.

Her assistant director work covers No Talent No Future and The Cicada in 2017, then Token in 2021. Her listed skills range from series directing and film editing to story development.

In my view the strongest sign of her range is how she has stayed close to her own scripts while still taking assistant director jobs on other people’s films. Her list moves freely between a man living in his truck, a boys’ love short and the twelve episode second season of a series about a woman who meets someone from her past. If I were choosing where to begin, I would pick Fragrance of the First Flower for its scale, and then go back to Towards the Sun to see how she handles a single quiet idea in a short running time.

TRIVIA

  • The Cicada (2017), on which she was assistant director, opens at a mortuary.
  • On The Lives We Lease she holds three credits at once: director, producer and head of story.
  • The two series she has directed hold twenty five episodes between them, twelve in the second season of Fragrance of the First Flower and thirteen in The Lives We Lease.
  • Four of her titles carry a writing credit for her: Towards the Sun, Midnight Tod, Do Not Go Gentle in Taipei and Fish Pond.
  • Her three assistant director credits fall in two years, two in 2017 and one in 2021.
  • Fish Pond followed Do Not Go Gentle in Taipei by a year, with the first dated 2022 and the second 2021.
  • At thirteen episodes, The Lives We Lease is the longest title on her list, one episode longer than the second season of Fragrance of the First Flower.
  • Six years separate her first directing credit, Towards the Sun in 2016, from Fish Pond in 2022.

CAREER AT A GLANCE

Yi-Ling Wang holds one record across the site: one credit behind the camera.

It dates from 2021.

FREQUENTLY ASKED QUESTIONS

Who is Wang Yi-ling?

Wang Yi-ling (王逸鈴), also credited as Ling Wang, is a Taiwanese director, writer, editor and producer.

What is Fragrance of the First Flower about?

Yi-Ming, a married woman living alone with her son while her husband works out of town, reconnects at a wedding with Ting-Ting, a woman from her past. The series moves between two timeframes, and Wang directed its twelve-episode second season.

Has she made boys' love as well?

Yes. Midnight Tod (午夜陶德, 2017) is a boys’ love short which she directed, wrote and edited.

What else has she made?

Towards the Sun (2016), Do Not Go Gentle in Taipei (2021) and Fish Pond (2022), all of which she wrote and directed.

What is she working on now?

The Lives We Lease (人生只租不賣, 2026), thirteen episodes, with credits as director, producer and head of story.

Does she work in other roles?

Yes. She has worked as writer and editor on her own short films and as assistant director on No Talent No Future (2017), The Cicada (2017) and Token (2021).

How many titles has she directed?

Six, from Towards the Sun in 2016 to The Lives We Lease in 2026, with Midnight Tod, Do Not Go Gentle in Taipei, Fragrance of the First Flower and Fish Pond in between.

Which of her titles did she also edit?

Towards the Sun and Midnight Tod, the two earliest titles on her list.

In which years do her credits fall?

In 2016, 2017, 2021, 2022, 2025 and 2026, six separate years across a decade.

Who is credited as writer beside her on Do Not Go Gentle in Taipei?

Leong Siew-hong, on the 2021 film that she directed.

Where is she credited as head of story?

On The Lives We Lease, a 2026 series that she also directs and produces.

When did she begin directing?

In 2016, with the short film Towards the Sun, which she directed, wrote and edited.

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